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unknow artist Leaving the Sheep Pen oil painting reproduction


unknow artist
Leaving the Sheep Pen
Gemälde IDENTIFIZIERUNG::  72208
 between 1880(1880) and 1889(1889) Oil on panel 45.7 X 37 cm (17.99 X 14.57 in) cjr

 
 
   
      


Charles Jacque Leaving the Sheep Pen oil painting reproduction


Charles Jacque
Leaving the Sheep Pen
Gemälde IDENTIFIZIERUNG::  73837
 Date between 1880(1880) and 1889(1889) Medium Oil on panel Dimensions 45.7 X 37 cm (17.99 X 14.57 in) cyf

 
 
   
      
Charles Jacque
(23 May 1813 - 7 May 1894) was a French painter of animals (animalier) and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army. Fleeing the Cholera epidemics that besieged Paris in the mid-nineteenth century, Charles Jacque relocated to Barbizon in 1849 with Millet. There, he painted rustic or pastoral subject matter: shepherds, flocks of sheep, pigs, and scenes of farm life. In addition to painting, Jacque was also famous for his etchings and engravings. He, along with Felix Bracquemond and Felix Buhot, is credited with the nineteenth-century revival of seventeenth-century techniques. He began his career as an engraver around 1841 by publishing a series of etchings with Louis Marvy. He followed this work with a serious of engravings based on the works of Adriaen van Ostade, after which he began to create original engravings / artworks. Charles Baudelaire said of him, "Mr. Jacque new reputation will continue to grow always, we hope. His etchings are very bold and his subject matter is well conceived. All that Mr. Jacque does on copper is filled with a freedom and a frankness which reminds one of the Old Masters.
Leaving the Sheep Pen
Date between 1880(1880) and 1889(1889) Medium Oil on panel Dimensions 45.7 X 37 cm (17.99 X 14.57 in) cyf

Related Paintings to Charles Jacque :.
| Kirschen auf Rot | Smygrokande gossar | Portrait of a Lady with a Book, Next to a River Source | Saint Matthew and the Angel (detail) gf | at the far left of this 15th century |

        
 
   
 

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